Throughout the rest of album, however, Franz Ferdinand alternates between putting their rave-ups in slightly different skins and taking some real chances with their music. With the most familiar-sounding songs at the top, Tonight's song sequencing might be the most pop thing about it: "Turn It On"'s stop-start rhythms,"Send Him Away"'s Afro-pop-tinged guitars, and "Can't Stop Feeling"'s DFA-like percussion and fuzzy synths are minor refinements on the sound the band has used since Franz Ferdinand. A few songs transcend templates, like the unrepentantly rakish swagger of "No You Girls," which boasts saucy lyrics like "kiss me where your eye won't meet me" and a cleverly twisting chorus that expresses the album's theme of smart enough to know better hedonism perfectly. "Live Alone"'s disco-fied push-pull between solitude and intimacy makes ambivalence exciting, and "Bite Hard"'s punchy drums are the sound of dancing on your conscience's grave. The band saves Tonight's most interesting songs for last: "Lucid Dreams" is oddly dark and jubilant, setting its fantasies to one of the album's boldest arrangements -- whether or not the way it trails off on a four-minute jam is successful is a matter of taste, but it's a welcome risk on an album that often feels safe despite its attempts to shake things up. Likewise, the way the acoustic closer "Katherine Kiss Me" transforms "No You Girls"' raw nighttime demands into wry daytime flirtation is so clever that it makes the rest of Tonight all the more puzzling -- it's often catchy and kinetic in the moment, yet it still feels like Franz Ferdinand has the potential to do more with their music than just slightly tweak and polish a sound they established several albums ago. ~ Heather Phares